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The Virgin Suicides (2000)

The Virgin Suicides
"Let's hope the Bill Murray in Japan thing works."

Starring:

Kirsten Dunst
James Woods
Kathleen Turner

Released By:

Paramount

Released In:

2000

Rated:

R

Reviewed By:

Adam Mast

Grade:

C-

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Not too long ago, I went to a screening of this recently released film at The Sundance Film Festival. Going in, I was praying that Sofia Coppola (daughter of Francis) could direct better than she could act (she had a much maligned role in Godfather 3). After watching her directorial debut, I'd have to say it's a pretty close call. In other words, The Virgin Suicides isn't a very good film.

Kathleen Turner and James Woods play strict and God fearing parents of five daughters, one of whom commits suicide. The surviving daughters try to cope with their loss, as well as the teen angst that plagues their daily lives.

Kirsten Dunst is very good here as the most troublesome of the daughters, while James Woods steals nearly every scene he's in with lively energy and an impeccable sense of timing. One of the more intriguing reasons to watch The Virgin Suicides is to get an early look at Hayden Christenson, who recently won the coveted role of Anakin Skywalker in the next two Star Wars films.

In this unfocused and disjointed effort, Coppola is trying to show us the timeless problems of the common adolescent. It just never rang true and winds up with an abrupt climax that I just couldn't grasp. It could be argued that this is all based on a novel, so I guess I wouldn't like the book much either.

:: zBoneman.com Reader Comments ::

Juila Cannon

Juila Cannon

I find it almost spooky how often your opinion of films align with my own, however among the glaring disagreements is the Virgin Suicides. In your rather brief and facile review you completely fail to appreciate the haunting, nostalgic beauty of this film. In fact I think Copolla's directing style manages to avoid the sudsy melodrama that usually accompanies and glamorizes suicide. In your review you fail to mention how effectively the Virgin Suicides capture the nuances of teenage life during the '70s. Sophia gets all of the details right: the awkwardness of a chaperoned partis, the rush of first love, and the nervousness of the pre-dance rituals. By using occasional bursts of humor and setting up the film as a tapestry of memories, Coppola establishes a tone that is wistful and sad, but not nihilistic. There are a few instances when the film gets a little heavy handed, but, for the most part, the mood is well maintained. I know it took Lost In Translation for you to see the light about Sophia's gift, but I recognized that the apple hadn't fallen far from the tree after watching Virgin Suicides.

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