The bottom line about Badly Drawn Boy, the one that even a fan-boy champion of his masterpiece Hour of the Bewilderbeast doesn't want to face, is that maybe Damon Gough was a flash in the pan. Yes his first album with it's anything-for-a-hook kitchen sink approach, is high on the list of the best records of the new century. With it's Beatles meets Bacharach, Elliot Smith opening for the Eels musical eclecticism. And his gruff, wake up in time for his five o' clock shadow aesthetic it seemed like Damon was the century's new-model genius.
Then came the much weaker one-two punch of Have You Fed the Fish and About a Boy Soundtrack. Neither a drastic step below Bewilderbeast, and albums that if you explain them away as a man spreading himself too thin - nothing to become concerned about. He just needed to take enough time to regroup and focus on his strengths. Sadly, One Plus One Equals One is every bit as bad as the math would suggest. Gone is his quirky Orch-Pop and in it's place 16 over-wrought self-conscious tracks, half of which could be cut out without being noticed - much less missed.
On top of being simplistic, sonically unadventurous, and poorly recorded, these songs aren't the slightest bit catchy or memorable, a consequence of Gough attempting to balance his once disheveled and hermitic persona with FM radio aspirations. The result is a devastatingly bad record that represents an off-the-radar fall even more precipitous and vertical than Travis.
:: zBoneman.com Reader Comments ::