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"Broken Social Scene" by Broken Social Scene (2005)

"Broken Social Scene" by Broken Social Scene

Artist:

Broken Social Scene

Album:

Broken Social Scene

Released In:

2005

Reviewed By:

Kyle England

Grade:

4.0

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Just like pork being that "other" white meat to chicken, Broken Social Scene have quickly become that "other" indie rock supergroup from Canada, The New Pornographers being the first to garner that distinction. Boasting members from other great Canadian acts such as Apostle Of Hustle, Stars, By Divine Right, Valley Of The Giants, Feist and Metric, Broken Social Scene are a conglomerate of rock music geniuses. After 2002's You Forgot It In People took critics by storm, all of the above acts that make up B.S.S. went back to their day jobs and put out respective albums in 2004 and early 2005 (except for Metric, whose new album, Live It Out, came out the same day as this one). However, all the artists that make up what B.S.S. is all about are back for this self-titled third album. And if that weren't enough fire-power - this self-titled release also boasts guest spots from members of The Weakerthans, The Dears and Canadian rapper K-OS. Whew! That's a lot of cooks in the kitchen!

Thankfully, this self-titled release is every bit as good as You Forgot It In People, and all those cooks make for one delicious ear-smacking stew. First single "7/4 (Shorline)" brings Feist's beautiful chanteuse vocals to the forefront, and "Windsurfing Nation" is the perfect vehicle for K-OS' understated raps. "Handjobs For The Holidays," with its delicately plucked guitar riffs make it one of the very special tracks here, and album closer "It's All Gonna Break" is an absolutely beautiful symphony of noise. Most of the vocals here on Broken Social Scene don't really even matter, they're just there for background noise, and to keep the beat going. Kind of like what J. Mascis used to do for Dinosaur Jr. back in the day, except this is much more prettier. C'mon America! Canada's got two fantastic supergroups now, you'd think we could muster up at least one

:: zBoneman.com Reader Comments ::

Doug

Doug

Cool that they started off with a Feist song - at last the band is beginning to understand who the real superstar is.

Mark

Mark

I've heard both records now - this one and the NP's which would you call your favorite?

kyle

kyle

mark,

I'd have to go with New Pornographers Twin Cinema for sure. I just can't get enough of that album, I'm still listening to it constantly. It'll make my top 10 for sure. B.S.S. will definitely make it somewhere in my year end top 50, but who knows where right now. But if someone out there is reading this that hasn't heard either of these records, invest in them now!

Johnny

Johnny

While we're eliciting opinions how about this one - which album do you think id better between the New Broken Social Scene and Leslie Feist's solo album?

fazzle grazzle my tazzle

fazzle grazzle my tazzle

is this more of that rock revival stuff? if so, yawn. i wanna hear something that really cooks!

Jeff Hubbard

Jeff Hubbard

In response to Johnny's query: man, that is a seriously "apples to oranges" type of question. The Feist record is superb, though - stylistically miles away from BSS. Her record is more of a seductive, noir-ish kind of affair, whereas BSS's new one is very much post-Pavement style indie-rock. They are both very good records, but the highlight of either is Feist's killer cover of the Bee Gee's "Inside and Out," one of the most addictive tunes I've heard all year. Her record is actually really eclectic, but also super cohesive. Hate to say it, but I'd recommend both, for entirely different reasons.

The Boneman

The Boneman

I saw Leslie Fiest on Conan and she absolutely brought down the house, she played the best song off of Let It Die "Mushaboom" with a trombonist, a drummer and a keyboard player and she played a crunch heavy electric muted like Eddie Van Halen and she just rocked. Just went for it with total confidence and she got an ovation like people were seriously wondering where has this woman been all my life - cool, cool, cool.

Marty Lawler

Marty Lawler

Really not a big fan of this record - too much wild and crazy stuff going on and not enough of the pop smarts and good melodies to go around. I don't mind a band experimenting, so I'm silling to let it go, but what's Broken needs to be fixed next time around.

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