The man behind Iron & Wine's mask is Florida-born cinematography professor, Sam Beam. Beam caught critics' attention two years ago when he released his
acclaimed debut, The Creek Drank the Cradle - an album that fell right in step with other lo-fi indie singer/songwriters like Bonnie 'Prince' Billy, Elliott Smith, Cat Power, and Smog. The effect was so successful that it landed his debut on countless numbers of critics 'Best-of' lists in 2002. Sub Pop quickly responded to Beam's success with the equally satisfying The Sea & the Rhythm, a five-track EP full of The Creek Drank the Cradle leftovers released in late 2003.

Our Endless Numbered Days finds Beam trading in the lo-fi comforts of his home recordings for an attempt at higher production values by recording in an actual studio. Fortunately it doesn't diminish the somber effects he perfected on his previous efforts. In fact, it only seems to give value to the poignancy behind Beam's vision. Intimate, melancholic and richly crafted songs which draws obvious comparisons to Nick Drake. Lyrically Beam illustrates his progression with songs like 'Cinder and Smoke,' on which Beam croons 'Give me your hand, take what you will tonight. I'll give it as fast, high as the flame will rise.' From the bluesy 'Free Until They Cut Me Down' to the subdued 'Fever Dream,' this album wouldn't be a far-off companion to the soundtrack of the old west. Our Endless Numbered Days proves that there is comfort in loneliness.