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"Z" by My Morning Jacket (2005)

"Z" by My Morning Jacket

Artist:

My Morning Jacket

Album:

Z

Released In:

2005

Reviewed By:

The Boneman

Grade:

4.5

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My Morning Jacket's last record It Still Moves - was the first of their handful of records that I fell in love with, thus I honestly didn't know what to expect from Z.. I know they released an EP in between the two - which I never got my hands on, and thus being a relative newcomer to the band I wasn't sure what was in store for me as I tore off the plastic and the sticky crap at the top. For me it was their sophomore effort - and we all know the jinx involved with such a albums. But as it is in truth their fifth of sixth release (If you don't count their collaboration with Songs: Ohia) so in truth the sophomore thing really was just my own fear.

Right away any doubt I had about this enigmatic band were allayed as song after song ,Z reinforced how incredibly cool this band is. There are few other bands that can rightfully be compared to My Morning Jacket and most of them are even more obscure. They bear fleeting resemblance to California's laid-back outfit Beachwood Sparks, as well as Clem Snide and even shades of Sonic Youth. Singer/songwriter Jim James definitely sounds like Neil Young singing from the depths of some subterranean cavern. But the cool factor runs much deeper than that. These are merely marginally helpful compass points on the cool map - vague indices at best to put you in the general ball park where My Morning Jacket hangs it's comfortable and well worn hat.

Z is an unqualified gem, sometimes toying with reggae and even spaghetti western influences. but never in a way that strays form their patented ultra-cool sound. There isn't as much guitar used on this record. but what guitar there is, literally tears the roof off the joint. Listening to it you get the impression that Jenson wrote the entire album on his guitar, but when they got to the studio they challenged themselves to use alternate instruments to get these classic tunes across - Penny whistles, calliope, harmonium, Rhodes piano, Hammond organs. The end result is unquestionalby among the best records of the year. James' voice is as hypnotic and other-worldly as anyone working and his lyrics are far more daring and certainly superior to those on It Still Moves.

This album just reeks of a genius allowed to pull out all the stops and make the record he's been dying to make. Z will, no doubt, be among most critic's best-of lists and if you go buy it you'll be able to say - yeah I got that album -they're right.- it's the shit." .Instead of having to say "never heard of those guys." Go for the former scenario - unless you're into Michael Bolton, you'll never regret it. In fact if any of you happen to read a negative review of this album use our comment board to let me know who has made such a grievous error in taste, and one of the members of our worldwide staff will see to it that his house gets toilet -papered. We could always have them killed, but then we'd be just as stupid a putz as they are. Anyone who doesn't enjoy an album this obviously cool is probably living a miserable life and the best we can do is to see that it is prolonged.

:: zBoneman.com Reader Comments ::

Sandler

Sandler

Dude - when the best album of the year pops up you give it 5 stars and say hey everybody this is the best album of the year fuck sufjan stevens and bright eyes. 4.5? Pull your head our of your ass My Morning Jakcet wins wear it bitch

MY MORNING WOOD

MY MORNING WOOD

SO I DOWNLOADED SOME SHIT ON YOUR PROMISE, FELL ASLEEP TO IT AND WOKE UP WITH THE BONER THAT WON'T GO AWAY..YEAH IT'S THAT GOOD.

Jessica Tanner

Jessica Tanner

Sweet Jesus I love this album. I have pretty similar taste to the type of record this site generally tends to lean toward, liked the Sufjan and the Bright Eyes (you should review the new Animal Collective) but I'd have to say this slow groove and trippy vibe that My Morning Jacket has slipped into is the coolest thing so far this year.

Jeff Hubbard

Jeff Hubbard

Jesus, the more I listen to this record, the more I dislike it, and I'm only semi-able to articulate why. Don't get me wrong - I never liked it all that much in the first place. There is definitely something about this band that irritates me at a deep, neural level. It's like listening to a Neil Young with delusions that the best idea in the world would be shifting his paradigm to mid-Seventies Pink Floyd; a bad idea, if ever there was one. Everything from Jim James' strained, Young-ian tenor (still swathed in too much reverb, if you ask me) to their near rip of the "Hawaii 5-0" theme in the bad white-boy reggae of "Off the Record" grates, and I fail to see how this stuff coheres. Oh, wait, now I'm checking out the dubby carnival music of "Into the Woods," yet another terrible idea (in their hands, anyway), featuring one of many melodies that I won't remember two seconds after I turn off the player.

Since there is a near consensus among critics on this record, I'm clearly on the losing side of this argument, as far as my ability to back up my opinions as anything other than my opinions. But, hegemony doesn't equal truth, and I can assure you that, five years from now, nobody's gonna be discussing this album the way we do, "OK Computer" or even "Yankee Hotel Foxtrot" (also a bit over-rated, if you ask me, though it's heaps and heaps better than MMJ's latest; "Jesus, etc." is one hell of a tune).

Finally, although MMJ's tendencies to wander off on over-long, pointless jams has been contained, a bit, I still get the overwhelming sense that these guys believe that a weak tune can be saved with bleating, directionless guitar solos. They're so wrong. Neil's "Cortez the Killer" is a great tune, and thus it compels you into its lengthy improv, NOT the other way around.

But hey, what do I know? Certain folks have been praising this band all the way back to "At Dawn," a record that, if possible, I found more excruciating than "Z," so if you liked that one, the good news is, you'll eat this one up like mom's apple pie! Enjoy!

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