As we watch the stereotype of alternative music slowly deteriorate, there are still artists who have helped define the genre striving to prove that their artistic abilities still justify their being considered as an alternative. With Adore the Pumpkins at least succeed in defying the expected.

On Adore, the Pumpkins have traded in big guitars and the tiny annoyances of Billy Corgan's shrill diatribes for more melodic vocal subtleties and a ride on the electronica bandwagon. "Twilight fades," are the first words that Corgan breathes life into, quietly setting the tone for a record that is as graceful as the previous Pumpkins' were furious. Lyrically, Corgan doesn't wander too far from his usual overwrought passages, rife with longing and passion. But he leaves the squeal out of his beautifully distinctive voice, which may come as welcome news to your nervous system.

Billy is the Wizard behind this curtain of inspiration--writing, producing, and starring in this Great Pumpkin opus. He custom designed the songs as sweet lullabies, meant to soothe the senses. Most of the songs are simple ballads hidden within a mix of electronic textures and rhythm--it would be a stronger effort if this didn't become a bit redundant. But, as expected, Billy's rage never remains completely obscured--particularly on songs like "Ava Adore," "Appels + Oranjes," and "Pug."

As a result of all this tranquility, Adore plays like a soft soundtrack, and at times makes you forget that you're listening to anything at all. Deep beneath the surface it clamors to be loved and understood--and unless you roll up your sleave and reach down deep, you may find nothing to adore at all.