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"The Cure" by The Cure (2004)

"The Cure" by The Cure

Artist:

The Cure

Album:

The Cure

Released In:

2004

Reviewed By:

Kyle England

Grade:

3.0

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After countless threats to break up The Cure for years, Robert Smith has finally decided to shut the hell up, and with the release of this eponymous album, put all rumors to rest about The Cure's demise and start anew. Trying to shake things up a bit for this, their 13th album, Smith went out and hired nu metal producer/freakazoid Ross Robinson of Korn and Slipknot fame to produce this record, despite the collective gasp of every Cure fan on the planet. But in all fairness, Robinson does the best he possibly can here, and for the most part it sounds like he just stayed the hell out of Smith's way.

The biggest influence of Robinson here though has got to be on the first track "Lost" with it's untuned guitar strings and crunching rhythms, it sounds like The Cure's best attempt at a metal song. Vocally, this is the strongest Smith has sounded in years. It's too bad the material that's laid down here is some of the weakest in recent Cure history. Other than the excellent "Labyrinth," the first half of this self-titled album is damn near awful. I don't care what anyone says, "The End of the World" is the WORST CURE SINGLE EVER! Every time I hear it I cringe and think, boy "Friday I'm in Love" wasn't so bad after all. Plus on the frighteningly terrible "Us or Them," Simon Gallup just seems to be retreading his "Fascination Street" bass riff over one of the worst penned Smith songs ever. The album does start to pick up though at the beginning of the second half with "Alt.End," even if it sounds like "Club America" off of Wild Mood Swings. (I Don't Know What's Going) On is a simple but effective tune, and even though "Taking Off" is just a plain rip off of "Just Like Heaven" it still works. By the time Smith and company get to the last and best track, the 10 minute plus epic "The Promise," the Cure has fully recovered. With Smith screaming repeatedly 'You promised me!' at the end of the album, it's the only time I ever got those good feeling goose bumps all over. The Cure are definitely back in the limelight in a big way, but unfortunately it's with only a semi-respectable album.

:: zBoneman.com Reader Comments ::

Cure-ious

Cure-ious

I feel like Kyle was a bit unfair in his appraisal of the Cure's latest. True the choice of producer seems wrong for the band, but overall I think this is a much stronger album than your reviewer suggests - I would have given it a solid 4.

Brian Lowe

Roger Milner

Roger Milner

I would have to beg to differ with the esteemed Mr. England, because I feel like this new Cure record is high among the best of their recordings of the past decade.

Ryan Slack

Ryan Slack

Yes, I too think Kyle has been a little hard on Mr. Smith and company. This is hands-down their best album since Disintegration (not that that was a hard accomplishment considering the 90's practically killed The Cure....and their fans). The problem is that everyone keeps expecting the next great Cure album. Unfortunately, this release gives assurance that we'll never see that happen.

Overrated???

Overrated???

Kyle, is there really any more to The Cure than Three Imaginary Boys, Boy's Don't Cry, The Head on the Door, or Disintegration? Passionate music, but where does their best material meet unnecessary waste in a decent record collection?

stephen haper

stephen haper

Much better record than Kyle gave it credit for. Perhaps another listen with the headphones?

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